Suffolk Teachers

Amy began playing piano at 6 years old, and by age 8 was performing on stage. She obtained her BFA in Music Education and Piano Performance from C.W. Post. She has performed as a soloist at Carnegie Hall and Avery Fisher Hall, and as an accompanist for the Artists of American Chorus at Lincoln Center. She also writes background music for radio, TV, and film.

Amy has 25 years of experience, and teaches all styles of music, including pop, rock, adult contemporary, ragtime, jazz, Broadway, new age, boogie woogie, and classical. She also specializes in music theory and composition. She teaches all ages, and one of her goals is to make sure everyone has fun while learning music.

In addition to normal guitar instruction, David has amassed a weather of knowledge regarding music publishing, and copyrights, and has learned how the business works and how to interpret various contractual agreements relating to the recording industry.  He has released over 14 albums worldwide and toured extensively in Europe and the United States. In addition, he has composed three “rock operas” that were performed over 50 times each, in Germany, Austria, and Switzerland, with each work garnering rave reviews.

His approach with teaching is to motivate and inspire the students, to get the students to read so they have access to the “repertoire”, introduce them to proper scale fingering, modes, and the theory behind the compositions they are learning, which will hopefully inspire them to begin composing their own works. In addition David would also like to show them all the things not normally taught or found in the “classical” method–namely all the chords and riffs from the “rock” side of things, especially the world of metal.

Jared graduated from San Jose State University in 1977 in Music Ed. He worked his way through college giving private lessons on violin and mandolin. The Suzuki Method was new at that time and Jared was able to apply it, and other methods, with great success. Over the years, Jared has been able to perfect his skills as a string teacher and adapt to various styles including Classical, Celtic, Jazz and Blues.

He also specializes in American traditional fiddling which includes Appalachia, Bluegrass and Texas – contest styles. Jared received a Master of Arts degree from Hofstra University in 2010 in Scottish Music. During this study he was able to travel to Scotland and Cape Breton, Nova Scotia several times. Here he participated in dances, competitions and the Scottish Games. Since then Jared has devoted all of his time to private lessons on the violin, viola, mandolin, electric violin and beginning cello.

Jared’s NYSSMA students have received high marks and have remained with him year after year. He feels that teaching is very rewarding, and can inspire students on to a career in music. As a chosen field, it can be followed from the grade school orchestra right through high school.

Jason holds a Masters degree in Music Education from Hofstra University, as well as a Bachelors degree in Audio Engineering/Music Business from Five Towns College.

His performance experience includes playing guitar and bass in pit and jazz bands, as well as his own band. He has also sung in college choruses, and produces/engineers music for artists at a home studio. In the past five years, he has written and recorded seven albums of original material.

Jason has experience teaching in public schools and is certified in Orff-Schulwerk with a background in choral/instrumental studies. He has prepared students for competitions including NYSSMA.

His main belief is that music education is central to developing a child’s aesthetic, experiential and cognitive skills. It enhances the capacity to feel emotion, bridges gaps between cultures and language, offers us alternate ways of thinking and allows us to express what words cannot.

Hailed by Opera Now for his “believably heroic figure with a gleaming ring at the top of his vocal register,” John, in the 08/09 season, will add the roles of Samson and Tannhäuser to his repertoire. He will debut in Norway, Greece, Lithuania and Poland. In the spring of 2009, John will cover Placido Domingo in Los Angeles for the role of Siegmund in Die Walküre. He returned to the Nationaltheater Mannheim for Alvaro in La forza del destino, the title roles in both Lohengrin and Parsifal and Jason in Medée in the 2007-08 season. In previous seasons with the company, he has also sung Kaiser Die Frau ohne Schatten, Max in Der Freischütz, Siegmund in Die Walküre, Sergei in Lady Macbeth von Mtsensk, Canio in Pagliacci, and the title role in Otello.

His relationship with the Metropolitan Opera started with his participation in the company’s famed Lindemann Young Artist Development program and subsequent debut as Stolzing in Die Meistersinger von Nürnberg. He has since bowed there as Don Jose in Carmen, Walther von der Vogelweide in Tannhäuser, Enée in a new production of Les Troyens conducted by James Levine, False Dmitiri in Boris Godunov, Andres in Wozzeck also conducted by James Levine and recorded for television broadcast, Kaiser in Die Frau ohne Schatten in performances conducted by Philippe Auguin and Christian Thielemann.

Highlights of his other engagements in America include Bacchus in Ariadne auf Naxos with Seattle Opera, Lyric Opera of Chicago, Utah Opera, and Tulsa Opera; Bacchus and Menelaus in Die Ägyptische Helena at Santa Fe Opera; Paul in Die tote Stadt and Don Jose in Carmen at New York City Opera; a return to Lyric Opera of Chicago for Stolzing in Die Meistersinger von Nürnberg; and Narraboth in Salome at Houston Grand Opera and Opera Company of Philadelphia.

Among his many international engagements are performances at the Deutsche Oper Berlin as Apollo in Daphne and Menelaus in Die Ägyptische Helena. He sang Erik in Der fliegende Holländer at the Frankfurt Opera, Menelaus in Die Ägyptische Helena and Tichon in Kát’a Kabanova at the Royal Opera at Covent Garden, Bacchus in Ariadne auf Naxos and the title role in Parsifal at the Scottish Opera, and Florestan in Fidelio at Opera North Ireland. He made his debut at the Gran Teatre del Liceu in the title role in Lohengrin and later joined the company for Bacchus. He made his debut at the Teatro alla Scala as Bacchus in Ariadne auf Naxos and at the Arena di Verona as Don Jose in Carmen. Other engagements lead him to De Vlaamse Opera for Apollo in Daphne and Gherman in Pikovaja Dama, Grand Théâtre de Genève and L’Opéra de Nancy for Laca in Jenufa, Chatelet in Paris for Apollo in Daphne, and to the Opéra de Nantes for both the title role of Lohengrin and Florestan in Fidelio. He also joined conductor Bertrand de Billy for concert performances of Albrecht von Brandenburg in Mathis der Maler at the Konzerthaus in Vienna and has sung title role in Lohengrin at the Teatro Municipal di Santiago in Chile.

On the concert stage, John recently sang Fritz in Schreker’s Der Ferne Klang at the Concertgebouw in Amsterdam. He joined the Vancouver Symphony Orchestra and Andrew Litton as well as the Royal Philharmonic Orchestra under Libor Pesek for Janácek’s Glagolitic Mass; the Kansas City Symphony for Mahler’s Symphony No. 8; the Toronto Symphony Orchestra, the Atlanta Symphony Orchestra, andrnthe Pittsburgh Symphony under Lorin Maazel for Beethoven’s Symphony No. 9; the Colorado Sympony for Mahler’s Das Lied von der Erde; and the San Francisco Symphony and Michael Tilson Thomas for Stravinsky’s Les noces.

A frequent guest at festivals all around the world, the tenor has been featured at the Spoleto Festival in Rachmaninov’s The Bells, as Magician in The Consul and in Haydn’s Die Schöpfung. He’s sung the title role in Rienzi at the Antiken Fesitval with Sebastian Lang-Lessing, Mahler’s Das Lied von der Erde and Symphony No. 8 at the Bard Music Festival, Menelaus at the Baden-Baden Festival and Florestan in Fidelio at the Bellingham Festival.

John’s recordings of scenes from Lohengrin and Siegfried as well as scenes from Tristan und Isolde have been released on the Naxos label. He can be heard as the Magician in The Consul on Chandos and tenor soloist in ‘In These Great Times’, released on Tzadik. Other recordings include Zorn in Die Meistersinger von Nürnberg on London Decca under the baton of Sir Georg Solti, and Araldo in Don Carlo on Sony, conducted by James Levine.

Kelly comes from a musical family, and started taking piano lessons at age 7. At age 9, she began learning the cello, and by age 12 she knew she wanted to be a music teacher. She has studied cello with Robert Davies, Laurinel Owen, Heidi Hoffman, and Elizabeth Simkin. She received her Bachelors of Music in Music Education from Ithaca College in 2007 and her Masters of Arts in Education from Stony Brook University in 2009. Kelly has played in many settings on many stages, including at Lincoln Center and Carnegie Hall, and under the baton of the late great Russell Stanger. She is currently the assistant principal cello for Sound Symphony.

Kelly has been teaching since age 16. She believes that it’s almost never too early or too late to start learning music. She prefers working one-on-one since it allows her to tailor her instruction to each individual student. In her spare time, Kelly enjoys going to concerts, traveling, and cooking. She has been teaching for String Sound Studios since 2010.

Michael has been playing guitar for over 10 years, with experience in classical, rock, pop and metal. In May of 2016, he received his Bachelors of Arts in Music with Honors from Hofstra University. Throughout the time at Hofstra, he studied various aspects of music, including advanced levels of harmony, ear training, music history, keyboard harmony, and performance practice. Michael studied classical guitar at Hofstra, and performed in Hofstra’s classical guitar ensemble and university choir.

He has been performing in bands of various styles for over 8 years. Currently, Michael performs and composes for a Long Island based group named Consonance, a progressive metal band incorporating jazz and pop influences. Consonance performs regularly at various popular Long Island venues, as well as Brooklyn, NYC and out of state. In addition to his performing experiences he currently works at The Paramount, a popular 1,500 music venue in Huntington.

Michael is an active performer and teacher of guitar, as well as a composer. His playing experience ranges from classical guitar, chamber music, jazz big bands, rock/funk and jazz fusion. Michael studied classical guitar at C.W. Post under the direction of Professor Harris Becker, and Jazz Guitar under Professor Mark Marino. While attending Post, Michael performed in numerous recitals and master classes, and was also the resident jazz guitarist of the C.W. Post Jazz Band as well as the school’s Renaissance music consort. He has performed at the Long Island Guitar festival throughout the years. Some of the world-renowned classical guitarist Michael has played for include: Manuel Barreuco, Sharon Isbin, Carlos Dominiconi, and Benjamin Verdery. Michael’s versatility, knowledge, and proficiency of a wide range of styles of music make him a sought after performer and teacher. Besides classical music, Michael is fluent in jazz, rock, blues, and world music styles among others. He has composed recordings for such corporations as Harman International Group, and performed on local TV. In 2014, a classical work for violin and guitar that Michael composed was premiered at “A Midsummer Music Dream / Songe d’été en musique” in Quebec, Canada. Michael is currently an active performer and guitar/bass instructor in the Long Island, NY area.

Michael has been at the helm of String Sound Studios since 1986. Mainly a guitarist, he is also well-schooled in bass guitar, piano, and some woodwinds. He is considered by his peers to be a talented multi-instrumentalist with skills on 5-string banjo, ukulele, and mandolin. While at Five Towns College, Michael studied with master musicians Peter Rogine, John Dewitt, and Donna Olson. Michael insists on being eclectic and shares a deep understanding of jazz, rock, blues, and classical music with all his students. Michael has a world view of music which includes Latin, eastern, and western elements that show up in his arranging.

Over the years, many of his students have been accepted into music colleges and are actively involved in the music industry today. Michael is also an ace transcriber, arranger, and extremely knowledgeable in using music software such as Sibelius to arrange and compose music for the ensembles at our Setauket studio. For over 30 years he has been guiding students in NYSSMA, All-State, recitals and college auditions. Michael’s influences range from Bach to Larry Carlton, and he has played with numerous bands as a freelancer over the years. He is in the midst of a finger-style solo guitar project and involved in private and ensemble music instruction.

Along with possessing a strong musical prowess, Michael and his family are very involved with ice skating and ice hockey.

Since discovering his father’s clarinet beneath the stairs at the age of 7, Ross‘s passion for music has evolved into a lifelong commitment and career. His musical beginnings consisted of orchestra and jazz ensembles in his school and community, eventually graduating to become the principal chair of the Maryland All-State and Maryland Classical Youth Orchestras.

Ross received the Louis Armstrong Award for Jazz Performance and the John Philip Sousa Award for musical excellence in high school.  He studied classical clarinet and jazz saxophone on a full scholarship to UMBC, graduating in 2016 with a B.A. in Performance. He has performed with a variety of jazz and new music ensembles in Baltimore and Washington D.C.  He has also been composing music since 8th grade, and has ranked in the international Scofen Music contest for EDM composition.

Ross has been teaching for the past 8 years, and draw his techniques from the lessons of the great teachers he has studied with. He believes that virtuosic musicians discover and cultivate their sound through mastery of the most basic of skills, and thus focuses on mastery of fundamental skills and tone exercises, even with more advanced students.  The characteristics of a musician’s sound that differentiate them from their peers lie within their tone, breath control, concentration, and understanding of the underlying melodic and rhythmic structures.